Netflix’s ‘Pulse’ Medical Procedural Fails to Resonate

When money is tight in Hollywood, it seems like everyone turns to familiar formulas. That’s why we’ve been seeing a lot of new shows set in emergency rooms lately. One standout in this trend is Max’s The Pitt, which brings together producers from the classic ER drama and star Noah Wyle. The show’s debut season unfolds in real-time over a single shift, making it exciting and fresh.

On the other hand, NBC’s St. Denis Medical takes a comedic mockumentary approach to emergency medicine, offering a different take on the setting. Meanwhile, Apple offers a dry, German-language version with Berlin ER, adding its own twist to the genre.

However, not every show in this trend hits the mark. Netflix’s Pulse is a bit late to the ER scene and lacks personality. The show is set in a busy Level 1 Trauma Center in Miami during a hurricane, adding an extra layer of drama. When the popular chief resident, Dr. Xander Phillips, is suspended due to a sexual misconduct investigation, his accuser, Dr. Danielle “Danny” Simms, is unexpectedly named interim chief by Dr. Natalie Cruz. As secrets unravel and relationships complicate, the show dives into a convoluted plot that lacks depth.

Pulse may have had potential for an exciting procedural, but the execution falls short. The focus on a #MeToo storyline feels forced, overshadowing the talented cast and leaving little room for character development. While Willa Fitzgerald delivers a decent performance as the lead, the weak material doesn’t give her much to work with.

The most surprising aspect of Pulse is its creators—first-timer Zoe Robyn and Lost co-showrunner Carlton Cuse. Cuse, known for his groundbreaking work in network TV, seems to be playing it safe in today’s risk-averse streaming landscape. Despite its pedigree, Pulse fails to deliver a fresh take on the ER genre, leaving viewers wanting more.