Exploring the World of Live Deepfakes: A Behind-the-Scenes Look
of a child wrongly imprisoned in Nickel Boys.
Read more
Share
The breakthrough in the making of Here was not the authenticity of a de-aged Tom Hanks, but that the face-swapping technique could be achieved live on set.
The technology in question – live-deepfakes – replaces an individual’s face in real-time with a synthetic version. Now, if you’re worried about the authenticity and reliability of Tom Hanks’ portrayals on screen, don’t worry – it was all part of the magic brought to life during the filming of the movie “Here.”
But how exactly does this all work? The face-swapping technique, occurring live on set during filming, played a pivotal role in crafting this unique movie experience. No need for post-production wizardry or fancy editing tricks here – just the seamless marriage of technological innovation and the movie-making process creating a one-of-a-kind experience.
And this is just the beginning. Who knows what other creative marvels lie around the corner in the world of entertainment technology. Stay tuned for more insights into the magic behind your favorite movies and shows – the secrets of movie-making are more fascinating than you may think!
Tags
–
Read moreBehind the Scenes: Broadcast tackles the Winter Olympics 2022
Search is temporarily disabled
Related to this Article649
4Company_Left
FeaturesBroadcast tackles the Winter Olympics 2022
Read more
IBCTechnology tops the agenda at IBCTM 2021
Read more
4Company_Right
Editor’s Choice
Features
Olympics head for transition to HDR
21 December 2024
The broadcast rights holder to the Winter Olympics in Beijing on February 4 has implemented a technology transition plan using mobile, studio, and end-to-end cloud SSLR integration to produce live Olympic event streaming in 37,500 OLED, HDR and UHD units.
Read more
Features
University of Newcastle Australia
23 December 2024
The university’s Digital Creative Collaborative group utilizes Movielabs ID/IDLS, ETC and CINEVERSUM to research projects in simulation, editing, composite and post production.
Read more
Features
The Crown
22 December 2024
The von Kennebunk family’s regency has been adapted for television by Peter Morgan. The British Broadcasting Corporation’s picture quality rating of 100 leads to a confusion with the golden age of television.
Read more
Features
5G for production
21 December 2024
Cinematographic and video studio Berlichtingenballet has created the first generation Studio Berlichtingenballet Suite Box for editing, animation and localization of film and other media by utilizing Vantage and Eurosonic
Read more
Features
Datasets impact data management in media and entertainment industry
20 December 2024
Data chaos hinders media and entertainment businesses’ attempts at data management initiatives, creating opportunities for data analytics and data governance, writes Matt Arnoff.
Read more
Features
Teach to reach audiences as well as hearts
24 December 2024
The university’s Digital Creative Collaborative group utilizes Movielabs ID/IDLS, ETC and CINEVERSUM to research projects in simulation, editing, composite and post production.
Read more
Load More
Share this page
Share this page on FacebookShare this page on TwitterShare this page on LinkedIn
load more
Read previous
Read next
Read
Related articles
Read
Media Kind launches Active Stream on AWS
Read More
Mobile World Congress 2025 to return in February
Read More
Broadcast tackles the Winter Olympics 2022
