Mary: Why I Don’t Recommend this Right-Wing Funded Netflix Biopic
The film Mary on Netflix has sparked some controversy, and as a Biblical scholar, I have some thoughts on it. Now, as someone who enjoys a good, unrealistic movie now and then, I’m willing to forgive some creative liberties. But after watching Mary, I couldn’t help but feel like there was more to it than just entertainment.
D.J. Caruso, the director of Mary, drew inspiration from various sources like the Proto-Gospel of James for Mary’s backstory, shedding light on her birth and childhood. Despite some intriguing aspects, the film takes a skewed approach to gender roles and misrepresents Jewish characters.
Mary portrays motherhood and chastity in ways that align with conservative ideals, with an emphasis on Mary’s acceptance of God’s annunciation. However, the portrayal seems to overlook Mary’s lack of choice in the matter, painting her as more of a passive figure. This depiction falls in line with right-wing anti-choice narratives and upholds patriarchal values.
Moreover, the film’s portrayal of Jewish characters has also raised concerns. The depiction of Jewish priests and the mob’s pursuit of Mary is troubling, with elements of Christian exceptionalism painted throughout the narrative. These misrepresentations perpetuate harmful stereotypes about Jewish people and their traditions.
Adding to the mix of concerns is the film’s production team, which includes Joel Osteen, a prominent televangelist known for his prosperity gospel beliefs. While the film claims to have consulted with a diverse range of faith leaders, the lack of scholarly expertise raises questions about its accuracy and representation.
In conclusion, while Mary does offer some fresh perspectives on Mary’s life, it falls short in its treatment of gender and religious representation. As viewers, it’s essential to critically analyze such narratives to understand the underlying messages they convey.
