Tom Fontana Shares Which ‘Homicide’ Episodes Are Missing from Peacock Streaming

The critically acclaimed Baltimore-based police drama “Homicide: Life on the Street” may not have achieved massive ratings during its unexpected seven-season run from 1993 to 1999 on NBC, but it garnered numerous accolades, including several Emmy awards. Created by Paul Attanasio and inspired by David Simon’s nonfiction book “Homicide: A Year on the Killing Street,” the show was hailed for its innovation, exceptional casting, and profound influence on subsequent quality television programs.

Despite its past absence from streaming platforms, “Homicide” has now found a new home on Peacock, allowing both dedicated fans and a fresh audience to experience the series. Executive producer Tom Fontana, known for his work on acclaimed shows like “St. Elsewhere” and “Oz,” shared insights into the show’s legacy and enduring appeal.

Fontana revealed that efforts to bring “Homicide” to streaming services were delayed by music rights renegotiations and the remastering process to enhance the visual quality of the show. He emphasized the importance of preserving the original look and feel of the series while meeting modern viewing standards.

Reflecting on the show’s modest viewership at the time, Fontana acknowledged that “Homicide” deviated from typical cop show conventions by focusing on the intellectual aspects of police work rather than high-action sequences. Despite its niche audience, the show’s loyal following and affluent demographics helped sustain its seven-season run.

Fontana expressed optimism about the show’s potential resonance with contemporary audiences on Peacock, noting the enduring relevance of its crime narratives. He highlighted the unique character-driven storytelling approach of “Homicide,” which prioritized the emotional journeys of its ensemble cast over plot-driven narratives.

The series featured a talented ensemble cast, with actors like Andre Braugher, Kyle Secor, Richard Belzer, and Melissa Leo delivering standout performances. Fontana praised Braugher’s portrayal of Det. Frank Pembleton, particularly his intense interrogation scenes, which became a defining element of the show’s storytelling.

Fontana acknowledged the show’s influence on subsequent dramas, citing its innovative camera work and nuanced portrayal of characters as key contributions to the evolution of television storytelling. He noted how “Homicide” paved the way for complex character dynamics and blurred moral lines in later series like “Oz,” “The Sopranos,” “The Wire,” and “Breaking Bad.”

As discussions about potential reboots or spinoffs arise, Fontana emphasized the need for any new iteration of “Homicide” to maintain the original’s sharpness and compelling storytelling while offering a contemporary perspective. He highlighted the challenge of honoring the iconic status of the original series while bringing a fresh approach to any potential revival.

Fontana’s reflections on the enduring impact of “Homicide: Life on the Street” underscore the show’s status as a trailblazer in television drama, known for its innovative storytelling, memorable characters, and lasting influence on the medium. With its availability on Peacock, a new generation of viewers can discover and appreciate the timeless quality of this groundbreaking series.